Mouthfuls of juicy little glow-in-the-dark wads
prancing through unknown fields of taste.
I chomp them, like bits of swollen,
ripened apples falling from the trees of my hidden places,
trees that harbor what was and what might yet be.
They fill me with wondrous pleasures of things, mightily
capturing me away, or slicing my soul’s flanges
to find my heart in a scream.
I rush into wakefulness at the speed of confusion
to find him, maybe, still finishing his copious spell.
But never there, that punctilious little Dreamer man,
who brings us everything but punct,
and whose brim exceeds his girth by a foot,
except his nose, that comically barnacled schnozzle
that could hook the stars on a clear night.
He escapes my wary each and every time,
tricking me into his yellow sublime
with the yak of his klackity klak.
He must oil his shoes, I think
for never have I taken a peak
of his awkward little self, sneaking and speaking
into my imagination of away-ness,
the empty me, who lives alone when
I close my eyes and the Dreamer steals me.
Yet he brings me things of happiness,
towering above life’s sappiness,
-sometimes. Other times he reaches into me
and takes little parts away, parts I don’t remember.
I think he is Mr. Flaggarty.
The church organist.
He always looks at me like he knows.
And his shoes smell of oil,
the kind they used in Europe in World War II.
He might be a Nazi Dreamer.
Or a French resisting screamer.
But he always brings the most beautiful women,
and leaves me with my own little apple tree.
Tickled Pink, I should think.
This poem was written in a form unique to it. Ten-line stanzas with a floating rhyming couplet within. The first stanza has the ryming pair as lines 9 and 10. The next stanza, the rhyming pair moves up one line, to 8 and 9. The next, 7 and 8, and so on.